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Below are some sample photos from the Contaflex, all shot in San Francisco in November of 2006:
Zeiss adapted exisiting post-war design ideas as well as earlier ones to produce this uniquely compact 35mm single lens reflex camera. The fixed lens on mine is an f2.8, 45mm coated Tessar. Since the slr mirror is not instant-returning, the film advance knob must be wound to cock the between-the-lens leaf shutter and bring the mirror down into viewing position. Having the view black out after pressing the shutter release takes a little getting used to for photographers accustomed to more modern cameras. Balancing out that slight inconvenience is the fact that this is still about the only full-frame 35mm slr that can easily be slipped into a jacket pocket. The camera is really only marginally larger than the tiny Ikonta 35, and according to Mike Elek, the lens design of the Tessar is identical in the two. Over-all, materials and construction are top drawer, and the camera is a pleasure to hold and operate.
My camera, purchased for not very much on ebay, came with the impressive Teleskop 1.7x accessory lens, which yields a focal length of about 75mm, a nice portrait length. I was looking forward to using the telephoto accessory, but could not at first see how that was going to be possible as it clearly does not screw into the front of the fixed lens Tessar. A little research revealed that I was lacking the necessary mounting bracket. I wrote to the seller, he rummaged around in his tool box, turned up the bracket, and sent it to me at no additional charge - a stand-up guy. To mount the accessory telephoto, you first install the slip-on bracket, and then screw in the Teleskop. The fixed Tessar needs to be set at the infinity mark to enable proper focusing with the telephoto. The bracket is also used to mount a stereo photo accessory.
As luck would have it, I already had several filter adapters and a lens shade which I could use with the camera. All of these are Series V, 28.5mm push-on models. The set of four accessory close-up lenses was purchased separately for about twelve dollars. I like the push-on type lenses for close work as they require no exposure compensation as do extention tubes on other slr cameras.
The plastic-cased close-up set is a good example of Zeiss design thoroughness. The back of the case features a pretty depth-of-field calculator. Inside the case, each lens is securely held in place by raised tabs so as to minimize fumbling in the field. If you closely examine the mounting tabs on the accessory lenses, you see that there are three pairs on each lens, with one half of each pair bent slightly inward to grasp the tabs in the case, and the other of the pair is adjusted slightly outward to provide a secure fit against the inner surface of the lens focus ring.
The camera shown here is my second Contaflex; the first was a non-working one received as a gift. I managed to get that original one working well enough to put a couple rolls of film through it and to develop some respect for the quality performance that the camera was capable of delivering. In that same process, I also learned some important lessons about acquiring and owning a Contaflex all these many years after it was produced by Zeiss.
The most important of these lessons, perhaps, was that claims about the working condition of an old Contaflex are meaningless unless they are accompained by a recently taken roll of film showing proper exposure. Old Contaflexes often sound like they are working perfectly, but the chances are slim that the complex train of events leading to an exposure in a Contaflex is going to happen in just the right way to put an image properly on film.
The biggest and most common problem with the Contaflex is a slow aperture stop-down mechanism. One also sees mirrors that don't don't quite close quickly enough, sticky shutters, and dirty internal lens surfaces. Fixing any of those problems calls for a level of skill that is considerably beyond my capabilities. One of the few people I have seen express some confidence in repairing the Contaflex is Jon Goodman, who many will recognize as the vendor of the best little camera light seal kit on the web. Another possibility for expert repair of this complex gem is Dean Williams, who seems willing and able to tackle about anything.
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